She is a tenured complementary piano teacher at the “Perosi” Conservatory in Campobasso, and ISTITUTO EUROPEO Music Department. She recorded with Chandos and several times with RAI Italian television stations. She was an accompanist and “trainer” at the Spoleto Ars Symposia (teachers Judith Cohen, Brian Jahulinen, Enza Ferrari).
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Sepolcro, Cortona, Estate Fiesolana, Mattinate Musicali at Verdi Theatre in Pisa, Festival of Santafiora) and collaborated with lead singers and directors (including Daniele Damiano, principal woodwind of Berliner Philarmoniker Libero Lanzilotta, principal double-bass of Santa Cecilia Virginia Ceri, strength behind some of the most important Italian and European orchestras and many others).įrancesca collaborated as a piano accompanist in various vocal chamber music specialization courses held by Liliana Poli, ranging from James Griffet of Pro Cantione Antiqua on technique and interpretation for singers and on the vocalità from the Renaissance to the Baroque, to Aldo Reggioli on opera music. She has participated in important exhibitions (Biennale Musica, Venice, Settembre Musica, Florence, Amici della Musica, Milazzo, S. These experiences led to performances all over Italy and abroad, allowing her to create a vast repertory ranging from Renaissance to contemporary music. Since her years at the conservatory, she has devoted much of her time to chamber music (instrumental and with singers). She was the winner of piano competitions in Velletri (1985) and in Albenga (1987) and was also a winner of the Schubert chamber music competition (1993). In addition, she studied the harpsichord under the guidance of Annaberta Conti. She graduated with honors.ĭuring that time, she studied composing with Pierluigi Zangelmi, Bruno Rigazzi and Romano Pezzati.Īfter receiving her diploma, she became a student of both Daniel Rivera and Alessandro Specchi and also attended specialization courses with Vincenzo Vitale, Konstantin Bogino, Dario de Rosa, Maureen Jones, Angelo Faja, Vinko Globokar, and Elio Battaglia. 2, 1986)įig.Professor of Piano, Piano Accompaniment, Lyrical Interpretationįrancesca completed her piano studies at the Cherubini Conservatory in her native Florence, first under the guidance of Guglielmo Rosati and then under Giancarlo Cardini. 5: Impressions Exhibition (Ausschnitt: Métamorphose No. La chute des corps, 1990 | Métamorphose No. 4: Impressions Exhibition (f.l.t.r: Masculin, féminin, No. Buch-Vernissage AMRAIN BOOKS Literatur Verlag Galerie Liegruebe Solothurn, ISBN 978 3 9525246 0 2 Gedichte, Lyrik, Poetry, Poems, Artists' Books, Knstlerbuch.
3: Impressions Exhibition (Composition spaciale, 1994)įig. First publicly released demo by the band Vernissage from Germany.The Fatal Wall - 00:00 Isolated - 5:26 One of the Lost - 10:48All credits and thanks to Vern. Pedro Meier Echo-Kollektiv Musik-Magazin Zrich, Reportage zu PARALLELWELTEN Wasteland Factory oder Der Garten der Lste Lyrik und Mauerspuren. 2: Impressions Exhibition (Ohne Titel, 1973)įig. 1: Serge Brignoni (* 12 October 1903 in San Simone di Vacallo above Chiasso † 6 January 2002 in Zollikofen)įig. Here you can find the obituary of Angelika Affentranger-Kirchrath in January 2002 in the Neue Zürcher Zeitung.įig.
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Here you will find the transcript of Fred Zaugg’s speech titled “Serge Brignoni: Colours and Forms” on the occasion of the opening of January 26th in PDF format. On the one hand, the clear and decisive eye, on the other hand, the mystery, a world of colours and forms, of shapes and probably also of the suns or moons (excerpt from the speech of Fred Zaugg, vernissage of ).
The works of the artist, who died in 2002, have recently been transferred to the Art Nachlassstiftung. Selected works by the Swiss surrealist Serge Brignoni will be on display in the Bern office of zetcom until 30 June 2018.
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